Hendricks’ depictions of the Black figure exude attitude and style. The artist culled subjects for his hagiographic portraits from sartorially minded friends and acquaintances he encountered around the world, including travels to Jamaica, his hometown of Philadelphia, and Connecticut where he last lived and worked. He applied intense focus to his subjects while painting, allowing him to capture their unique personalities. Steeped in pop culture and balanced with exquisite detail, the cast of characters in Hendricks’ work inhabits an unconventional realism united by painterly mastery.
While the directness of his subjects’ gaze could be piercing, Hendricks invoked humor through the titling of his pieces, mitigating the gravity of the message and allowing for an opening into the work. His paintings are distinctly of their time, grounded in the style of their contemporary present, and simultaneously emphatically timeless. They are a direct engagement with art history, the tradition of portraiture, and a confrontation of institutional portrayal of the black subject.
Hendricks was first a photographer before taking up painting. Beyond his portraiture, he also made distinct works on paper and painted landscapes and still lifes, including an early series of Basketball paintings that explored abstraction and color theory. Throughout his career, Hendricks refused to be boxed into a medium, and his practice is commanding, bold, and without limitations to media or form.